July 22nd, 2008 03:04 pm
One of the things that is delightful about Dr. Horrible is seeing how Joss's work has evolved over the years. At this point in his career, with several successful ventures under his belt and a horde of dedicated followers, this is usually right around where I expect an artist to fizzle out and start reusing the same couple of good ideas to death. Instead, even in this low budget, short and silly piece, his distinctive style shows through.

Joss's work is not unlike South Park in being a juxtaposition of conveying subtle and sophisticated points through a juvenile medium. Where South Park is complex social commentary amid toilet humor, Joss almost invariably demonstrates in an exaggerated yet realistic way the subtleties of human behavior and social interaction, against a fantastical and over-the-top backdrop. This study of culture, roles, and behavior is not unlike The Office, but instead of being in a setting we are all familiar with, it happens among monsters and heroes.

Another element that makes Joss Whedon's work so distinct is his tendancy to identify a common genre convention, then play with viewer expecation by turning it on its head. I think this is part of the reason he is so fond of killing off main characters. It defies our expectation that characters that we love are somehow protected by our fondness, and by making the world less safe it also makes it feel less artificial.

A more silly example of this device is the the opening scene of Dr. Horrible, (itty bitty spoiler alert,) opening with the dramatic maniacal laugh, but then transitioning to a down-to-earth monologue. I can think of a dozen tiny moments like this in his other work. In Buffy, the dramatic evil villain speech that gets unceremoniously cut off; in Firefly, Mal insisting that no, really, he doesn't need to do this for himself -- please give him a hand; a million subtle changes in pacing that surprise you, though you don't quite know why.

Then of course there is the witty dialogue, hot babes, and cool shit. Yes, yes I am a fangirl.
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Date:July 23rd, 2008 - 01:31 am
"Yes, yes I am a fangirl."

Teehee. Thanks for putting into words some of the many reasons I too love Joss. I've been thinking a lot of the same stuff after watching Dr. Horrible, and how his style has evolved, but I wouldn't have bothered to word it so effectively.

I just find his work so refreshing. It's clever, humorous, raw, and somehow . . . real. I feel refreshed by his work, particularly how he likes to toy with expectations. I sat thrilled by the ending, while a couple friends of mine sat in for a moment in silence and asked, "So when is he bringing it back?" They couldn't believe that there wouldn't be more episodes, or that he chose to end it the way he did. They were genuinely CONFUSED. I think Whedon took advantage of the fact that in television people expect no real change from episode to episode, and that in movies, people expect a certain type of ending. And I love him for it.

And I'll admit, I had a moment of judgment upon my friends for being sheeple.
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Date:July 23rd, 2008 - 04:52 am
Someone elseblog wondered how many more times Joss can get away with slaughtering characters before it becomes a new expectation, that he will kill characters and sunder happy relationships whenever possible.
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Date:July 23rd, 2008 - 06:56 pm
Yeah, I'm kind of a fanboy. I wish I'd written this. I feel like Joss Whedon is a historical event that I get to live through, along with South Park and Adult Swim; a revolution in humor, social commentary, and multidimensional folds of irony. I'm really glad I got to share Buffy with you.
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Date:July 29th, 2008 - 06:40 pm
FYI, I made my journal entries about you (plural) available for you to read. There are three. Search my keywords for yourself. You already know everything written in there (you were there, after all), but it's fun and exciting to read about yourself. So knock yourself out.

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Date:July 31st, 2008 - 11:46 pm
Hee. That was fun. :)
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